Rare Book | Manasollasa : 12th Century Book

Manasollasa, a 12th-century text, deciphers 'happiness of mind' and is an all-inclusive, straightforward theme that runs from how many royal palaces the king will have, how the lord will dine, leisure exercises appropriate for him, and the virtues he must possess. 

King Someswara III, who had succeeded his father Vikramaditya VI and ruled the Western Chalukya Kingdom, was a ruler but a poet of heart. He was assigned to the lord when the empire was at its glorious height, so it was a substance to waste his time in the interest of learning, poetry, so writing rather than increasing his kingdom.

Famously known as Sarvadnya-Bhupa, "the lord who understands all," he wrote a book in Sanskrit a guide book to be precise on how to become the idealized medieval king of India Someswara III controlled the Western Chaluka kingdom from 1126 AD (a few documents tell 1127) until its passing in 1138 AD. 

Meaning

The term Manasollasa may be a compound Sanskrit phrase, consisting of manas or "mind" and ullasa or "cheer, delight." This means "love, happiness, or artist of the soul."

On the other side, the composite term may be divided as Manasa and Ullasa, which means "bliss in mind."

The research is subdivided into five sub-books, suffixed as Vimsati (vinshati, name) which implies 20 and refers to the 20 chapters in the sub-book. It is also recognized as the Abhilashitartha Chintamani.

This literature title is pronounced Manasollasa, and there is another medieval era of Indian literature with the term Mānasollasa, written in Stotra in Dakshinamurti type, unusually distinctive in nature and ascribed to Adi Shankara or Suresvara.

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While the material he produced seems to be an obsolete and useless reference to lords and kings-in-waiting, it is also an awareness of the lives of the royals that once governed us.

The Bhulokamala (the ruler who is the lord over all living beings) definitely understood how to lead a king-size existence with a shower that would bring today's expensive spa schedules to shame, exquisite gold cutlery, and a slim down that would push most of the population into a pang of hunger.

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The book offers us a short description of the royal care that rulers like Someswara received. Many of us have certainly never witnessed this extravagance-never before. Take the tradition of the Lord's tub. In today's era, it's hard to understand how anyone finds the energy or the strength to bathe as needed. A large majority of the book is devoted to the craftsmanship of happiness, dance, and music occupying an unmistakable role.

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It is encyclopedic research addressing subjects such as policy, government, ethics, finance, physics, astrology, philosophy, veterinary medicine, horticulture, perfumes, cooking, art, athletics, sculpture, poetry, and music.

The material may be a valuable source of socio-cultural data for the 11th-and 12th-century Asia. 

The encyclopedic treatise is structured as five sub-books with a limit of up to 100 pages. It is eminent for its extensive discourse on the arts, particularly on music and movement. This is also renowned for recording chapters on food recipes and festivals, all of which are part of Indian society today.

The medieval period Sanskrit material with the term Mānasollasa still remains, consisting of reverent laud psalms (stotra), which is distinct from the large treatise.

Manasollasa 's extensive treatise was published in Sanskrit in Kannada, an Indian spoken city. The textbook is in the romantic form of the poem.

Summing up

Manasollasa has been described as an imperative source of the socio-cultural history of medieval India, particularly in the history of wine, beverages, food, and sports.

Mandakranta Bose, a professor of South Asian learning, portrays content that is exceptional fascinated because it is the most punctual material related to the subtle elements of dance genres in India.

A community made up of Bruno Nettl, an instructor of music and human development, named Manasollasa a giant treatise of vast fields of song, dance, and other performing arts.

                                                               

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